Monday, March 17, 2008

March Checkpoint

So, after sending a few fellow cdubIIIers my old old poems (Brandon, Niall, and Ave Maria) I got very few critiques on them. I think they've been around so long that they are kind of stuck to what they've always been. I still like them and if any amazing ideas come to me about any of them before May, I'll definitely keep editing them. As for last month's poems: I made the short one a little more clear. I really enjoy it, even though it doesn't have a point. And Dark still needs work, but I added some stuff and changed some stuff. That will be my big editing project for April. If you've got any suggestions, throw them out, por favor.





As for new poems, I have the one that I wrote for the team piece for the decathislam about Human Trafficking. And I have a poem about Ikea being death.

Sunday, February 17, 2008

Februray 15th Checkpoint

Poems to go into the book:
Paper Airplanes
Prayer Request
Sister Jean
Christmas Wish
Tessa
Brandon (super re-edited)
Niall (super re-edited)
Ave Maria (super re-edited)

Dark

Last night, I laid awake for hours,
listening to the gentle creaks of my house
and watching the shadows curve through my room
as headlights passed on the road by my window.
I can’t remember when I finally surrendered to sleep,
only knew the hum of my alarm clock meant morning had arrived.
And I had spent another night,
without retaining dreams.

I need something to record my thoughts
as I fall asleep.
I want to know what I’m thinking
in those last few seconds
between consciousness and sleep.
I don’t remember.
I don’t remember the last time I had a dream
that meant something,
made me wake up in a sweat of realization
because my life was changed.
I know my best thoughts must come to me
while I’m sleeping.
There’s no other way to explain
why I haven’t had good idea
since I learned to sleep with the light off.

It never used to be this way.
Afraid of the dark ‘til I was sixteen,
they said I had a problem.
A fear of dead people under the bed
forced me to sleep with my legs crossed
from the time The Sixth Sense came out
‘til my legs had grown in that direction
and it was just more comfortable to sleep that way.

I used to lie awake thinking of the things I would take
if something were to happen in the night.
A fire,
a robber,
a monster.
My childhood blanket,
my picture album,
the box of letters from my grandparents.
A bag in my closet was packed just before bed every night
and emptied before school in the morning
until I was thirteen.

My fathers bed went unslept in
for four years. He spent his nights
dozing by the foot of my bed,
so if anything were to happen,
he’d be there to protect me.
These were the worries I passed along to him.
And even with him lying there
the bathroom light constantly crept through my doorway
after the house began to get dark.

Until
electricity prices went up
and sleeping with the light on
wasn’t okay anymore.
And growing up meant
I had to let go of my irrational fears
and let my father sleep in his room again.

So I taught myself to close my eyes tight
before I flipped off my light switch,
not open them again ‘til morning.
And in the darkness of shut lids
I found only thoughts
in those times when I couldn’t sleep.
A good night’s rest didn’t happen.
Instead I found myself waking every twenty minutes
with another idea.

But lack of sleep caused me
to count myself to sleep,
breathe in patterns until all thoughts were gone.
And now, I don’t remember the last time
I had a thought that meant something.


Sunday Afternoon Love

Sunday afternoons
in the basement of a church,
you made me believe.
You stole my shoe, wouldn’t give
it back for two months.
You said you had lost it but
flirting is in your
nature and you couldn’t stop.
Til you realized that
you cared about me and you
kissed me in the hall.
Sunday afternoon love is
a beautiful thing.

Sunday, February 3, 2008

Sometimes I have a short attention span...

After working half of the school year on my play, I feel like it is going nowhere and I don't have the energy or brain capacity at this point in time to figure out how to change that, so I'm changing my project. I think if I make my project poetry, I'll be more productive because I won't have to think long-term as much as in the play with plot and character development. Don't get me wrong, I'll probably work on my play over the summer when I have more time. But for now, I'm going to have a chapbook together by the end of the year. So checkpoints:

Feb 15th- Have two new poems plus have all of my old poems that I want in the book picked out.

March 17th- Two new poems, re-edit old poems, edit Feb poems

April 30th- Two new poems, re-edit Feb poems, edit March poems

May 19th- Picture taking days, layout, finishing touches

So by the final due date, I will have a chapbook for you.

Friday, January 18, 2008

January Checkpoint

The first act ended up being shorter than I’d originally thought it would be, but all of the planned scenes were written. It’s only like 14 pages when it should be about 40. That makes me think more needs to be added, but I’m not sure what. It feels kind of like a one-act, but it has too many scene changes and if it’s worth keeping at all, it needs more conflict. If it’s going to be turned into a one-act it needs a lot more conflict a lot faster. I know that character development is lacking, so I need to go back and think of what I want each character to be like in-depth again. And I was thinking maybe starting it when they meet, but I don’t know if that’s too much. I feel like it’s moving at a good pace as it is now, maybe a bit fast; but that’s just how I read it in my head. I think I’m going to ask people to read through it out loud for me soon so I can get a feel for what it’s really like. Since I edit as I write and I read over what I write regularly throughout writing, this copy has my revisions, but I need to get other peoples ideas. With everyone being so busy with either their own checkpoint or Misentity stuff, I’ve felt bad about asking. I’ve also spent a lot of in-class time, when I have actually been in school, doing Misentity things, like submissions and slam stuff, and working on poems, so editing has fallen to the wayside. This play is starting to feel like a nuisance to me and I’d like to work on other things for a while, but I know I can’t take a month off of it to work on other things or I won’t finish by the end of the year. I’m frustrated. I think I want to drop this project in general and start over with poetry. I think it’d be more useful for me.

The first act